Lawrence Oyor Reacts as Bobrisky Sings His Gospel Song in Viral Video

A viral video featuring popular Nigerian crossdresser Idris Okuneye, widely known as Bobrisky, has stirred significant reactions online after he was seen passionately singing a gospel song. The track, Favour, It Surrounds Me Like a Shield, originally performed by renowned gospel singer and minister Lawrence Oyor, was sung by Bobrisky with noticeable enthusiasm.

The video, which surfaced on social media, quickly garnered attention from fans and critics alike. Many were surprised to see Bobrisky, known for his flamboyant lifestyle and controversial persona, engaging with gospel music in such a heartfelt manner. The unexpected clip left many questioning whether it was a mere moment of admiration for the song or if there was a deeper message behind the act.

Lawrence Oyor’s Shocked Reaction to Bobrisky’s Video

Responding to the viral video, Lawrence Oyor expressed his initial disbelief. He admitted that when he first saw Bobrisky singing his song, he was taken aback. “I saw one of our guys, Bob, singing my song, Favour, It Surrounds Me Like a Shield. I almost denied the song. I was shocked, I was like, you too,” he said, sharing his genuine surprise at the moment.

Lawrence Oyor’s statement has sparked a wave of discussions, with some interpreting his reaction as an expression of concern while others saw it as humorous. Given Lawrence Oyor’s strong Christian background and ministry, his initial hesitation could be seen as a reflection of the contrast between his gospel mission and Bobrisky’s often controversial public image.

Public Reactions: Divided Opinions on Bobrisky’s Act

The video has ignited debates among social media users, with reactions ranging from amusement to deep reflection. Some fans believe that music, especially gospel songs, transcends personal identities and lifestyles, emphasizing that worship is for everyone, regardless of background. Others, however, questioned the sincerity of Bobrisky’s moment, suggesting it might have been an attempt to court attention rather than a genuine spiritual experience.

Several netizens took to comment sections to express their views. One user wrote, “God works in mysterious ways. You never know how a song can touch a heart.” Meanwhile, another commented, “Bobrisky is always looking for ways to trend. Is this real or just another publicity stunt?” The debate highlights the ongoing cultural and religious conversations within Nigeria’s diverse social space.

Gospel Influence Beyond Stereotypes and Expectations

The incident brings to light the far-reaching influence of gospel music. Songs like Lawrence Oyor’s Favour, It Surrounds Me Like a Shield resonate with people across different walks of life, regardless of their personal beliefs or identities. This moment is a reminder that gospel music has the power to move people beyond the typical boundaries of faith communities.

Many gospel artists have faced similar moments where their music is embraced by unexpected audiences. The universality of faith-based songs often extends beyond religious circles, proving that spiritual messages can reach hearts in the most unlikely places. This instance is a testament to how music continues to be a unifying force despite societal divisions.

Bobrisky and Religion: A Complicated Relationship

Bobrisky’s relationship with faith has been a topic of discussion for years. While he has often been associated with controversies, he has also spoken about his belief in God on multiple occasions. Whether this moment signifies a deeper spiritual journey or was simply an appreciation for the melody remains unclear.

Some speculate that the act could indicate an evolving perspective or personal transformation. However, given Bobrisky’s history of using social media for viral moments, skeptics remain unconvinced. Regardless of intent, the video has succeeded in igniting fresh conversations about inclusivity in religious spaces.

Will This Moment Lead to a Bigger Conversation?

Lawrence Oyor’s reaction, coupled with the public’s mixed responses, raises broader questions about how gospel music is received outside traditional Christian spaces. It also challenges existing perceptions about who is “allowed” to engage with faith-based content.

Whether this moment will fade as just another viral sensation or lead to a deeper conversation about faith, music, and inclusivity remains to be seen. However, one thing is certain—gospel music continues to find its way into the most unexpected corners of society, proving its timeless and borderless appeal.